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I think it's mostly in the graver(s) ~~~

~~~ which after being engraved the pigments clings only to the vertical (wall) section or maybe removed at the base when cured in order to see the red while on a table and at the angle since the red is not seen looking straight down on the plaque.
Not sure from which engraving house since I have not seen anything mentioned on what little Briotet/Caro paper I have seen or told abouf.


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